April 23, Poem 23 - Cumbia Night at the Hotel Congress - Tucson, AZ
Cumbia night at the Hotel Congress – Tucson, AZ
In any language the brass is a breathy narrative,
the horns are a village of callings-out
to the people gathered in the square;
and if the horns are announcement
and oratory; if the horns then pronounce
into being the landscape by which
we will enter this village, if the trombone’s
deep bluster is how you ask permission
of the elders to rest in this town,
then the guitars are this town’s
juiciest gossip; the fret
and the strum piecing together
a wonderful legend of all our
being gathered here, even the cantaro’s
counterpoint of flamencoed foot-chatter
offers clarification to the story
being told. And if we are here
for the story and by listening here
adding to the action; the fable
which the room shall become,
then the DJ comes to tell
news from a different land
and if you don’t think this all
and the cantaro’s upper-register
tremolo, is a bible, then why
is the dance (when done well)
a worship of sorts – the spirits
in sweat visitation coming to bring
us all the power. And if you know
cumbia at all, then of course you know
Shango is in the room and there
is no accident in this woman’s
hips, her black hair, the oily
sheen of sweat on her back
and in your hands – an ordination
of ritual you are forever obliged
to enjoin. And if the saxophone’s
continued wail, which you now know
is a prayer, and so you open
your palms to her palms and
your shoulders to the next downbeat,
and you believe yourself tithed
to the necessary orishas, then
you might have forgotten, the drum’s
decree – how to be fully sanctified
you must abandon hope in it,
and this woman – Frida is her name –
knows everything about the skeletons
you must risk in order to win
the orishas’ favor, and so
is only being patient with your
move towards baptism – and your sweat
is not by itself enough. You
own nothing of this town or this
story, no matter how many
premonitions the building gives you,
how many ghosts are said to roam
its rooms, and whom you swear
pushed you further into her chest
and the steep embankment
of her grind. You could call
yourself dancing then. You
could ask the elders for permission
to lay your head in the town.
You are deep enough in
to ask them permission to leave.
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